Attent
* Discussion meetings (in German) with Dr
Gunter Jacobs will resume on Friday, 22nd May
*
Europatag
werden zwei Tage des Jahres bezeichnet, an denen Europäisches
gefeiert wird. Am 9. Mai jedes Jahres gedenkt man der
Schuman-Erklärung,
der 5. Mai jedes Jahres erinnert an die Gründung des
Europarates.
ion all Members!! - Exciting Events for May at Messina
Palace |
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The
Goethe-Institut, the cultural organization of the Federal Republic
of Germany, is famous worldwide. But most people who know the
organization associate it with German language classes. What they do
not realize is that it is also one of the biggest “cinemas” in the
world. Every year the 134 Goethe Institutes around the world offer
some 25,000 film screenings, or an average of 68.5 per day, reaching
an audience of over two million film-goers. For over 50 years Goethe
Institutes have been supporting the distribution and screening of
German films abroad.
Goethe Institutes’ programs includes films of all styles and genres,
starting with silent classics by such directors as Fritz Lang or
Ernst Lubitsch and ranging through New German Cinema auteur films,
documentaries, shorts and animated films to the most recent
productions: Cherry Blossoms by Doris Dörrie, On the Other Side by
Fatih Akin and The Lives of Others by Oscar winner Florian Henckel
von Donnersmarck are currently among the most widely shown films.
The Goethe-Institut has a central film archive not far from
Frankfurt and 37 of its own film archives dotted around the world
which supply their regions with German films. Goethe Institutes have
established their own German-language film festivals on almost every
continent, for example in Hong Kong, San Francisco, Sydney, Prague
and Tokyo.
More than 60 film representatives work abroad, designing attractive
programs with the pool of 900 contemporary and historical films for
which the Goethe-Institut has acquired the rights. “The film
representatives work very creatively with this range of individual
films and film series. That’s why their skills and specialist
knowledge are of decisive importance for the success of the Goethe-Institut’s
international film activities,” says Detlef Gericke-Schönhagen, head
of the film department at the Goethe-Institut. “The key to our work
with films lies not only in screening them. We also work on
developing international film networks which benefit filmmakers,
producers and broader audiences.”
Here, the Goethe-Institut is aided by its worldwide network and its
numerous contacts with film academies, filmmakers and film industry
representatives in the various countries. In addition to this the
Goethe-Institut cooperates with about 150 international film
festivals, as well as film libraries, film clubs and film academies.
Of all the different branches of culture represented by the Goethe-Institut,
film is certainly the most regularly employed medium: some 45% of
all the events are film-related. Before the Goethe-Institut buys new
productions for worldwide screenings, an advisory board consisting
of experts from the German film industry discusses the selection.
They concentrate mainly on aesthetic, content and artistic criteria.
Apart from this, every film should be thematically suitable for
long-term worldwide use. Film is also an important medium in Goethe
Institutes’ German-language work: all of the films are shown in the
original language version accompanied by subtitles in ten optional
world languages.
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