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Irene
Christ was born in the town of Röbel an der Müritz (Lake Müritz),
being the largest of the “1000” inland lakes of the Mecklenburgische
Seenplatte - the flat lake countryside of Mecklenburg. This
area is part of the very level low lying Northern German landscape
with dense forests, widespread agricultural land and a sky of which
one gets the impression that it is much higher than anywhere else in
Germany.
After
schooling she attended the Medizinische Fachschule (Medical
College) in Neustrelitz with the aim to become a nurse.
Nevertheless, after having achieved this, she decided that acting
was her real call of life and became a student of the Drama School
in Rostock, an old and important harbour city at the mouth of the
river Warnow into the Baltic Sea.
The area was
then part of East Germany, but the young Irene was lucky against
many odds to exit legally to West Berlin. Here she was able to apply
her acting abilities and worked with several directors on stage as
well as for the film industry. A special example would be the film
“Schlaraffenland” (“Cockaigne”) which was made in 1991 under
the direction of Michael Verhöven. This film - close to Irene’s
heart - unfolds the story of a family having fled from East
Germany.
Years followed
at the theatre “tri-bühne” in Stuttgart, “where I played the
roles of young girls only”, she remembers with a whimsical
smile. Various other German stages followed, for example Kiel, and
five years at the prestigious Schauspielhaus in Bochum, then
Düsseldorf and the Volksbühne in Berlin. To her great satisfaction
the roles entrusted to her became invariably more adult and serious
like Miss Julie of August Strindberg, Princess Leonore in Goethe’s
Torquato Tasso, alternating with classic and modern plays. Besides
the obvious success on the stage, it is very important for an actor
to work with famous directors. She especially mentioned Leander
Haußmann, whose film “Sonnenallee”, after the book by Thomas Brussig,
was shown in Malta at the European Film Festival some years ago.
At this point
it is perhaps opportune to mention some of the characteristics of
the German theatre and opera world. It is correct to say that
practically all theatres are heavily subsidised by either the
Federal State or the particular city they are situated in.
Occasionally two cities join forces and make use of one ensemble
playing alternatively at the two respective theatres. Actors and
actresses are mostly employed fulltime, but sometimes work
free-lance and are then engaged as guest performers, which means
they play at several theatres in different shows, each over one or
two seasons, involving a lot of tiring travelling.
In 1998 Irene
Christ enrolled in an English Language Course on Malta, something
like “Es war einmal” – Once upon a time - the sentence with
which all fairy tales begin! “First I fell in love with Malta”,
she said, “and then with my English teacher”, whose name was
Julian Manduca (1958-2005), a Maltese journalist of the paper
MaltaToday and a coordinator of the Maltese NGO Friends of
the Earth. The subsequent years, they lived on and off in Malta
and in Germany and married in 2001 in Copenhagen, Denmark, being
what they called a “neutral” country as far as their upbringing and
background was concerned. With this decision they wanted to be fair
to each other - not giving preference to the laws of either one
country of their origin. In the same year they moved to Malta
eventually finding an old beautiful house in Valletta - with many
rooms and many stairs.
One day,
enjoying a peaceful moment at the Café of the Manoel Theatre, they
decided to establish their own theatre company. Their main aim was
to bring German directors to Malta who would work with Maltese
teams. They called their company Actinghouse Productions, and
their inauguration show in 2002 was “The Odd Couple” by Dario Fo and
Franca Rame. The German director for this play was Frank Hörner. The
performance was a big success and became the inspirational impulse
for many more productions like “Who is Afraid of Virginia Woolf”,
“Fat Men in Skirts”, and various cabaret evenings.
However, the
good times came to an abrupt and tragic end when her husband Julian
succumbed to a sudden heart attack in his best age of 46. Still
grieving about her loss, though later in 2005, Irene accepted
engagements in Germany and New York, while keeping her base in
Valletta. She even picked up Actinghouse Productions again
with “A Streetcar Named Desire” by Tennessee Williams; and in 2007
for the first time she directed a play by the name “Tattoo” by the
German playwright Dea Loher, performed at St. James Cavalier.
Irene Christ’s
oncoming project within Actinghouse Productions will take
place in cooperation with the Malta Arts Festival 2008. She will be
performing in two of Anton Chekhov’s beautifully written comedies
“The Vaudevilles”.
Hobbies? – Or
plans for the future? Irene laughs and says: “Sport is easy, as
my private Fitness Centre is the steep staircase in my house in
Valletta!” And adding: “Yes, I read a lot”. As far as the
future is concerned, she admits never to have made any long-term
plans. Her motto is: “May God grant me serenity to accept the
things I cannot change, the courage to change the things I can
change, and the wisdom to know the difference.” She applies her
creative energy and vibrating strength positively to the chances
life is offering to her, and lives every moment intensely.
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Presented
by Actinghouse Productions on the 8, 9, 10 ,11 July at 21.00hours
at La Vittoria Bastions – Ospizio, Floriana (near the Public
Library)
As part of the Malta Arts Festival Actinghouse Productions will
perform two short comedies by the master of writing Anton Chekhov
(1860 – 1904). German actor Tobias Lehmann (Theater Leipzig) plays a
‘hen – picked husband’ giving a lecture ‘On the Harmful Effects of
Tobacco’. For once out of his wife’s sight though he talks about
anything but…
Under Stephan Baumecker’s (Volksbühne Berlin) direction, Edward
Mercieca, Irene Christ and Graham Arnold play the hilarious story of
a widow, who decides after the demise of her husband to stay in
mourning forever, and never to leave the house anymore, whilst her
servant tries to persuade her to get back to life. Her peace is
being terribly disturbed, when ‘The Bear’ comes in – a landowner who
claims her late husband owes him money… and a passionate fight
begins.
Russian accordionist Yuri Chargyguine and violinist Nemanja
Ljubinkovic from Slovenia accompany the show. For more information
visit:
www.actinghouseproductions.com
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Important Notices
The
German-Maltese Circle’s Newsletter will not be published for the
month of August. Instead, members will be receiving the
brochure containing information on our language courses for
adults, which will start in October 2008. As such kindly note
the following sessions in the series GESPRÄCHSRUNDE in
your diary:
Wednesday, 6th August
– Thema: Szenen aus Theaterstücken
Diskussionsleiterin: Frau Irene Christ
Wednesday, 20th August – Thema: Lachen und lachen lasen
Diskussionsleiterin: Frau Waltraud Wolff
Wednesday, 3rd September – Thema: Deutsch in der DDR von
Rennpappe bis .......
Diskussionsleiterin: Frau Sirka Facklam
All sessions start at 6.30p.m. and are open free of charge to
members of the Circle having a good command of the German language.
Use the Library this Summer. Ask the front office for assistance.
We are open mornings and evenings.
Send us an email
to get your password in order to browse online through our
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