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• April 2000
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April 2000 Newsletter
Goethe Institute Examinations

The German - Maltese Circle announces that the following Goethe Institute Examinations are due in May/June 2000:

• Zertifikat Deutsch (ZD)
• Zentrale Mittelstufenprüfung (ZMP)

Goethe Institute Certificates are internationally recognised and regarded as reliable proof of qualifications in German. They not only improve one's opportunities in the international market-place, but are also accepted as entrance qualifications by most European Institutions and Universities without any further evidence of linguistic capability being required. 

For further information contact our office immediately.

Application forms for the ZD examination will be available from the office as from Monday, 3rd April. Closing date is Friday, 5th May. Applications for the ZMP examination will open on the 1st May. The Examination Timetable can be viewed on the Circle's Noticeboard.

Exhibition

A Paintings & Sculptures Exhibition is being put up at our premises by the Künstlergruppe "Arte" from Bad-Honnef (a suburb of Bonn). The artists taking part are Silvia Bonsigniore, Margret Kruse, Ruth Mischke, Josef Yadel and Peter Schmidt. The Exhibition will be opened by the German Ambassador, H.E.Mr Gerhard Kunz on Saturday, 8th April at 11.00a.m. The works of art will remain on display until the 19th April.
 
Easter Holidays

Members attending our language courses are informed that the last day for the second term will be Wednesday, 19th April. The third term will start after Easter, on Wednesday, 26th April. Students are also informed that no lessons will be held on Friday, 14th April (Our Lady of Sorrows Day).

The Committee and Administration of the German-Maltese Circle wishes all our members and their families a HAPPY EASTER.

Valletta History & Elegance Festival

This Festival will be held from Monday, 24th till Sunday, 30th April during which Valletta will be decorated with colourful banners normally used in village festas. Numerous activities are planned to take place in Valletta including pageantry re-enactments recalling different historical periods, concerts, folklore, singing and dancing, parades and brass band marches. The Festival will reach its climax with a Grand Pageant made up of over 250 persons, whose main theme will be the capture at sea in 1700 of the Ottoman Sultana the "Benghen" by the Knights. This galley with all its merchandise and crew was towed to Malta and all its contents were auctioned. For further information regarding this event visit the Malta Tourism Authority's website at www.visitmalta.com.
Carsten Niebuhr - an introduction by Dieter Salto

Click here to download the German version of this article.

For one week, between the 14th and 20th June 1761, a German map-maker and mathematician, whom I consider a compatriot of mine since he lived for the last four decades of his life in the same town where I was born, got married and lived in for many years, was in Malta. His name was Carsten Niebuhr. I know the house which he built and lived in and I am familiar with the streets along which he strolled in my home town. Nowadays, from time to time, I also walk along the same paths he had walked before in Malta and I visit the same places he had seen here. Before writing about his stay in Malta though, (hopefully in the next issue of this Newsletter), I want to introduce you to this extraordinary gentleman.

The year was 1733, when Carsten Niebuhr, son of a farmer, was born in Lüdingworth, somewhere in the flat marshlands south of the estuary of the river Elbe, then part of the Electorate of Hannover within the German Empire. His mother died when he was just six weeks old and his father died soon after. The appointed guardian sold his father's farm and the inheritance was shared amongst all brothers and sisters. So it is no surprise that Carsten Niebuhr was destined to work as a farmer like his forefathers - but, without a farm of his own! Although he was eager and willing to learn, he did not have enough money to go to a highschool. Destiny wanted that a boundary dispute in the neighbourhood was settled through the intervention of a surveyor. The surveyor's activities and measuring instruments aroused Carsten's interest and there and then he decided to follow up the study of surveying at all costs. Finally, over twenty years of age, he met the requirements to enter for a mathematics course at the University of Göttingen.

King Frederick V, a great patron of culture and science, ruled at that time in Denmark. Head of Imperial State Office was the German, Baron von Bernstorff, who came up with the idea of an expedition to "Arabia Felix" (or the Happy Arabia as it was called in those days) with the aim of making the Old Testament more easy to understand through further knowledge of the country, its people, plants, animals, towns and villages. von Bernstorff happened to have very good contacts with the teaching staff at the University of Göttingen and so an expedition was set up composed of a philologist (von Haven), a botanist (Forskal), a doctor (Cramer), a draughtsman (Baurenfeind), a servant (Berggren) and a mathematician and surveyor - Carsten Niebuhr. In preparation for this task, Carsten studied astronomy and Arabic.

In February 1761, the explorers embarked on board the Danish warship the "Grönland" and sailed from Copenhagen, via Malta to Constantinople. From there, on board another ship, they left to Alexandria and Cairo via Rhodes. Always keeping a detailed diary about their route, Niebuhr reconnoitred and surveyed the Nile delta. His measurements and drawings were so detailed and exact, that a hundred years later, these were used in the building of the Suez Canal! Forskal discovered some 120 species of plants and collected seeds until then unknown in Europe. von Haven bought 72 manuscripts and Baurenfeind drew pictures of the way people lived, of their tools (mostly not yet familiar in Europe), their utensils and appliances, their traditional costumes and their musical instruments. Working in this manner - collecting, measuring and drawing, the expedition finally came to Yemen via Mecca. Although they had a good command of the language and were able to make themselves inconspicuous, the travellers had yet to overcome many obstacles. Against one of these, there was no help, not even with a generous dose of "baksheesh" - the malaria. In May 1763, von Haven died and in July he was followed by Forskal. To try and escape this mishap, and also to try and save the data, collections and maps and drawings amassed till then, the remaining members decided to leave the land. In search of a healthier climate, they left for India. However, it was too late - Baurenfeind and Berggren died on board during their voyage, while Cramer died in 1764 in Bombay. Carsten Niebuhr was henceforth left to work on his own steam. Although seriously ill for a long time with malaria himself, he still managed to send all the results of the ill-fated expedition to Copenhagen (via London). The task set by the King of Denmark was at least partially fulfilled.

Carsten Niebuhr stayed in Bombay for a year from where he left by ship to Basra in the Persian Gulf and then on land to Europe. But his thirst for knowledge was so overwhelming that he did not travel directly back home. He made it a point to go out of his way and to visit and to see, learn about and make detailed notes of any sites related to early history and civilisation. For three weeks, he lingered amongst the ruins of the King's palace in Persepolis, destroyed by Alexander the Great in 332BC. Painstakingly he copied in great detail the numerous inscriptions on the marble fragments he found on the site. Many years later, these notes led to the deciphering of the cuneiform script by Grotefend.

Continuing his journey, he passed through Baghdad, Mossul and Aleppo, staying for some time in Babylon and Ninive, pre-Christian places, until he reached the Mediterranean region again. He travelled like a man from the Orient - he dressed in their manner, he prepared and ate his meals in their ways and he slept on a carpet which he always carried with him. 

Occasionally he would be invited into a European owned residence. In Aleppo, he stayed with the Dutch Consul, who came from the Duchy of Schleswig-Holstein and who was married to a woman from Hamburg, born in Ireland. His trading representative was a Frenchman, while his servants came from Armenia. All these people went about their daily routine speaking in French, English, Dutch and German - the servants spoke Turkish, Arabic or Italian, but for Carsten it was easy, he spoke and understood all these languages.

On instructions from the Danish Royal Court, Niebuhr then continued his travels to Cyprus with orders to copy the Phoenician inscriptions there. From there, he proceeded to Jerusalem in the company of some Franciscan monks who used to bring the annual alms from Malta to Jerusalem. Also here, Niebuhr described the town and its inhabitants in minute detail and he even made a map of the surrounding area. From Jerusalem, he ultimately started the return journey to Denmark via Damascus, Constantinopel, the European part of the Ottoman Empire, Poland and Germany, obviously not without recording his impressions about every town, village and special features he would come across. On the 20th November 1767, he arrived in Copenhagen. His journey had lasted almost seven years.

Upon his arrival, Carsten started to work on his notes and records and on those of Forskal. His "Reisebeschreibung nach Arabien und anderen umliegenden Ländern" was published in several parts. Christian VII, who became King following the death of his father Frederick V, offered Niebuhr a well-paid and high-ranking position in Court in recognition of his self-sacrificing research. As a civil-servant, he lived and worked in Meldorf/Dithmarschen, a district town in the Duchy of Schleswig-Holstein, now north of the estuary of the River Elbe. He was a respected citizen with close contacts with many dignitaries of that time, such as Klopstock and Herder; he was a member of several societies of science even outside Germany. He declined his elevation to nobility on the grounds that "he who would do that would be considering his descent as not adequately honourable". In his innermost soul, he remained what he for ever was - an upright, proud and hard-working farmer. Carsten Niebuhr died in 1815.

The full account of his journey (1400 pages in the original version), is even today, 200 years later, a very exciting and interesting book. It is also an account with full relevance even for us. The way the people from that region treat each other, their never-ending peace negotiations, their periodic quarrels, their ways of thinking and doing business and their traditions - all these are recounted in Carsten Niebuhr's book. Which by the way, also contains his recollections of Malta, especially of the Grand Harbour area, of St Paul's Bay, of Rabat and of Mdina. Some aspects of life and of places on which he has written are nowadays forgotten and some of the descriptions outlined may today be interpreted differently, but his report on Malta, like after all the rest of his book, is well worth reading.
 

Waren Sie da schon?

Heute möchte ich Ihnen zwei Orte der Insel vorstellen, die zumindest in der Namensgebung etwas gemeinsam haben: Zebbug und Zejtun. Erster bedeutet "Olive" und letzterer, "wo es Öl gibt". Beide Ortschaften besaßen in früheren Zeiten Olivenbäume, daher die Namen.

Zebbug ist ein altes Agrarstädtchen, das ungefähr 6km südwestlich von Valletta liegt. Es war bereits 1436 eine selbständige Pfarrgemeinde mit dem heiligen Philippus von Aggira als Schutzpatron, dessen Fest Mitte Juni gefeiert wird. Im Zentrum gibt es noch einige Häuser aus dem 16. Jahrhundert. 1778 verlieh der französische Großmeister de Rohan Zebbug die Stadtrechte. Ihm zu Ehren bauten die Bewohner ein Tor, welches man von Qormi aus kommend - linker Hand - liegen sieht. Die Gemeindekirche soll 1599 vollendet worden sein. Der Eingang und die Brüstung erinnern ein wenig an die Ko-Kathedrale in Valletta, ein Werk Gerolamo Cassars. Diese Kirche ist wahrscheinlich ein Werk seines Sohnes Vittorio. Das Innere der Kirche ist reich an Barock mit prächtigen Seitenaltären, Fresken, einem Baldachin aus rotem Damast über dem Hochaltar und vergoldeten Pfeilerbögen. Die Statue des Schutzpatrons wiegt 63 kg, ist aus massivem Silber und wurde 1863 von Luigi Fontana in Rom angefertigt. St. Philippus segnet mit seiner rechten Hand und zerschmettert mit dem Kreuz in der linken Hand die Schlange, das Symbol des Teufels.

Nahe der Hauptkirche befindet sich das kleine Kirchlein von St. Rochus aus dem ausgehenden 16. Jahrhundert. Das Gebäude ist typisch für die Zeit, mit einem offenen Glockenturm und einem runden Fenster über dem Eingang. Auch in Zebbug gibt es Festawettstreite wie in vielen anderen Orten auf der Insel. Die Anhänger des Schutzpatrons haben sich in den 60ger Jahren in 2 Bandclubs geteilt - St. Philip und den des 11. Mais. Beide Bands bestreiten am Freitag bezw. Samstagabend die Märsche aus Anlass der Festa für den Schutzpatron und natürlich auch das Feuerwerk, was in Zebbug auf Pfählen stattfindet. Zebbug ist ausserdem die Geburtsstadt zahlreicher berühmter Malteser, z.B. des Bischofs Caruana, der 1798 den Aufstand gegen die Franzosen leitete und des Heimatdichters Dun Karm. Ausserdem ist einer der bedeutendsten Künstler Maltas, der Bildhauer Antonio Sciortino dort geboren. Er lebte von 1881 - 1947 und lässt sich als Vertreter der Moderne bezeichnen. Er war Schüler des Instituts für "Schöne Künste in Rom", besuchte Paris und geriet dort unter den Einfluss des Impressionisten Rodin. Sein letztes Werk, genannt die "Gassenjungen" entstand 1902 und befindet sich heute in den Upper Baracca Gardens in Valletta. Den die Skulptur auszeichnenden Subjektivismus behielt Sciortino auch bei, als er sich ab 1910 einen modernen Ausdrucksstil zuwandte. Mit seinem Thema der Auflösung realistischer, statischer Darstellungen in die Bewegung, eine Richtung, die man auch als "Dynamismus" bezeichnet, lässt er sich dem Futurismus zuordnen.

Dieser Stil entstand etwa ab 1909 in Italien und war eine der ersten Strömungen in der Kunst des 20. Jhds., die sich zwar vom Realismus abwandte, aber im Gegensatz zum Kubismus sehr subjectiv blieb. Geistesgeschichtlich entstand diese Bewegung aus dem Pathos einer Kultur der Zukunft, deshalb Futurismus. Politisch fand er später seine Fortsetzung im italienischen Faschismus, im sowjetoden Kommunismus und in den Befreiungsbewegungen gegen den Kolonialismus. Sciortino hat allerdings insofern eine Sonderstellung, in dem er sich nicht unmittelbar vereinahmen ließ. Sein Werk besteht überwiegend aus Bildnisbüsten und Denkmälern. Viele Skulpturen sind nur als Gipsmodelle erhalten und im "Museum der schönen Künste" in Valletta zu sehen. Mit einem Denkmal für den russischen Dichter Sewtschenko in Kiew erlangte er 1914 internationalen Erfolg, des weiteren mit einem für Anton Tschechow und für den lateinamerikanischen Befreiungshelden Simon Bolivar. Ausgeführte Arbeiten des Bildhauers in Malta befinden sich in Floriana - gegenüber dem City Gate von Valletta - eine Christkönigfigur - und eine andere allegorische Figur ist auf dem Platz des Sieges in Valletta zur Erinnerung and die große Belagerung zu sehen.

Das andere Städtchen, das ich Ihnen vorstellen möchte, ist Zejtun, von dem man weiss, dass es bereits in der phoenizischen Zeit bewohnt war. Es wurden Reste einer römischen Villa gefunden. Zejtun ist seit 1436 eine selbständige Pfarrgemeinde. Die ehemalige alte Pfarrkirche St. Gregory gehört zu den ältesten der Insel. Vor der Kirche befindet sich eine Statue, aus weichem Sandstein gehauen, die Papst Gregor darstellt. Stückweise wurde Ende des 15. 16. und Anfang des 17. Jhds. an der Kirche weitergebaut. Dadurch ist ein beeindruckender Kontrast verschiedener Baustile entstanden. Das einfache, recht schmucklose Gebäude besitzt im heutigen Zustand ein verziertes Renaisanceportal, dass im 17. Jhd. angefertigt wurde. Das Altarbild und das Gemälde von St. Gregor aus dem 17. Jhd. werden einem Schüler von Caravaggio zugeschrieben. 1969 fand der Exküster John Debono während Reperaturarbeiten an der Kirche zwei lange Durchgänge in den dicken Mauern. In einem befanden sich die Gebeine von ca. 80 Personen. Eine Untersuchung erwies, dass die Gebeine offensichtlich vorher woanders begraben waren. Aber eine endgültige Aufklärung konnte bislang nicht gefunden werden.

Die Kirche ist auch Ziel einer alten Prozession zur Erinnerung an St. Gregor, die bereits seit 1546 besteht und seinerzeit in Mdina stattfand. Alle Gemeinden nahmen daran teil, bis 1926 ein für Malta typischer Konflikt dem Umzug ein Ende bereitete. Die Domherren von Birkirkara und Senglea stritten sich darüber, wer das Anrecht auf den wichtigsten Platz in der Prozession habe. Heute wird sie am Mittwoch nach Ostern abgehalten. Sie beginnt in Tarxien, aber St. Gregor ist noch heute so bedeutend, dass der Erzbischof, das Domkapitel, viele Priester und Laien mitlaufen. Nach der Messe zieht man zur Unterhaltung nach Marsaxlokk, und einige mutige Malteser beginnen mit dem Anbaden im Meer. Die Kirche wird heute fast ausschließlich als Friedhofskapelle genutzt. Da die genannte Kirche wegen ihrer Lage ausserhalb des Ortes durch ständige Türkenangriffe gefärdet war, baute man Anfang des 18. Jhds. eine weitere und größere. Sie wurde von Lorenzo Gafa entworfen und von Freiwilligen in ungefähr 28 Jahren gebaut. Ein reicher Wohltäter finanzierte das Projekt und schenkte den Grund und Boden.

Die Festa in Zejtun wird - im Gegensatz zu anderen Orten - nicht im Sommer abgehalten, sondern im November. Die Karfreitagsprozession von Zejtun ist wegen ihres bewegenden Eindrucks eine der meistbesuchten in Malta. Beide geschilderten Ortschaften liegen nicht am Meer und werden in den gängigen Reiseführern in der Regel spärlich behandelt, aber sie sind einen Besuch wert. (Ingrid Hüttmann)

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